The South Project (Inc) is a major international arts project that supports and promotes the experience and understanding of contemporary visual culture in the south for global audiences. Learn more about the South Project

Tuesday, 13 May 2008

Ash Keating at Next Wave


Ash Keating’s 2020? is a large-scale, evolving installation that focuses attention on the future importance of environmental sustainability within artistic practice.

Beginning with the interception of numerous truckloads of industrial waste, 2020? is a process-based project involving discarded material being diverted from landfill and dumped en-masse in the Arts House space at the Meat Market. Prior to the project’s launch, a team of waste auditors have assessed, sorted and separated this dumped material into specific waste categories.

Co-ordinator and artist Ash Keating is joined by a team of collaborating artists who will be constantly reconfiguring the salvaged materials to create their own installations, interventions, structures and object-based works. This shifting creation happens within a dramatic backdrop of reused vinyl advertising billboards, manipulated in the tradition of culture jamming.

2020? will be under constant surveillance, with live-feeds and video-footage of the processes of the various artists’ projects and the installation’s earlier incarnations being projected back into the exhibition arena. 2020? concludes with a forum involving artists and environmentalists unpacking the conceptual and practical issues of environmental sustainability that are explored within the project.

Artists: Ash Keating, with Kay Abude, Campbell Drake, Ardi Gunawan, James Guerts, Bianca Hester, Inverted Topology, Susan Jacobs, Rus Kitchin, Bridie Lunney, Lucas Maddock, Pandarosa, Mia Salsjo and Soo-Joo Yoo (text taken from: http://2008.nextwave.org.au/festival/projects/5-2020-)

Call for Visual Arts Submissions

Thursday, 8 May 2008

Frieze Writer's Prize 2008

frieze magazine writer's prize is an annual award to discover and promote new art critics. The award will be judged in 2008 by Tate Triennial curator Nicolas Bourriaud, frieze co-editor Jennifer Higgie and Guardian critic Adrian Searle.

Entry details:
Entrants must submit one 700 word review of a recent contemporary art exhibition.
Entries must be submitted in English, but it may be a translation (this must be acknowledged).
Entrants must be over 18 years old.
To qualify, entrants may only previously have had a maximum of three pieces of writing published in any national or regional newspaper or magazine.

The winning entrant will be commissioned to write a review for the October issue of frieze and be awarded 2000 GBP.
Two further awards of 500 GBP will be made for outstanding entries.

Closing date is: 23rd June 2008

Entries should be emailed as a word attachment to writersprize@frieze.com
The judges' decision is final and no correspondence will be entered into regarding individual entries.

Friday, 2 May 2008

Friday, 11 April 2008

Call for Loose Threads

Loose threads are one of life's little problems.
Left unattended our buttons fall off,
our seams unravel,
our pants fall down.
Loose threads symbolise all that is unfinished in the world - that which has come undone.
I want to do something about it and I need your help
Send me a loose thread, textile is best - it can be extracted or found
I will tie it up, along with others, crafting a collective solution to an old problem.
Feel free to send this request on to your family, a friend, an acquaintance, or friends of friends.

Please take the time to contribute by sending your loose thread to
PO BOX 741, Newlands Estate LPO, Coburg, Victoria 3058 Australia
By May 29th 2008
Include an email contact address if you wish to be kept informed.

Roseanne Bartley (mailto:roseannebartley@hotmail.com)

Working with a wide range of materials and processes Roseanne creates jewellery and objects that offer a meditation upon the journey of material substances and their relationship to us, to time, space and place. Roseanne's projects often involve some form of social process or community participation. In a side street in Barcelona she initiated the 'Link Up' project – a collective drawing of a necklace, in Santiago she began documenting the extraction of a single hair from occupants along the lateral line of the Southern hemisphere, and her second Human Necklace performance project, Teardrop was held at the Southern Cross Station in Melbourne. A mother of two young children, Roseanne is temporarily unable to travel the world (or go out at night) but she allows this to shape her work rather than to limit it. To view her work

http://picasaweb.google.com.au/bartleybila/RoseanneBartley
http://picasaweb.google.com.au/bartleybila/LinkUp
http://picasaweb.google.com.au/bartleybila/HumanNecklace
http://picasaweb.google.com.au/bartleybila/CanYouSpareAHair